A bibliographic database of books that Frank Lloyd Wright owned or had access to.
The Database
[History of Georgian Art]., 1950.
Pageant of Japanese Art: Painting. Tokyo: Toto Shuppan Co. [distributed by C.E. Tuttle, 1957.
The Studio Annual, 1942-1943., 1943.
The notebooks of Leonardo da Vinci 2. 2.. London: Cape, 1945.
Pageant of Japanese art. Vol. 1-6? Tokyo: Toto Bunka Co., 1952.
Leonardo Da Vinci.. New York: Reynal and Co., 1956.
Société de reproduction des dessins de maîtres, 1909-1914.. Vol. 1-6. Paris: no publ., 1909.
Das Werk von Gustav Klimt.. Wien: Heller, 1918.
Picasso: 75th anniversary exhibition : the Museum of Modern Art, New York, May 22-September 8, 1957 : the Art Institute of Chicago, October 29-December 8, 1957. New York: The Museum of Modern Art, 1957.
Byzantine frescoes and icons in Yugoslavia.. London: Thames., 1958.
The art of Jacob Epstein. Cleveland: The World Publishing Company, 1942.
William Blake's designs for Gray's poems: reproduced in monochrome or colour from the unique copy belonging to His Grace the Duke of Hamilton. London: Oxford University Press, 1922.
Blake's pencil drawings. Second series edited by Geoffrey Keynes for the Nonesuch Press: [prospectus. London: Nonesuch Press, 1956.
Illustrations of The book of Job: being all the water-colour designs, pencil drawings and engravings reproduced in facsimile. New York: The Pierpont Morgan Library, 1935.
Thoughts of A. Stirling Calder on art and life.. New York: Priv. Print., 1947.
Catalogue of a memorial exhibition of Japanese color prints from the collection of the late Clarence Buckingham: with notes explanatory and descriptive and an introductory essay by Frederick William Gookin : [held] January 12 to February 21, 1915. Chicago: Art Institute of Chicago, 1915.
Beato Angelico: gli affreschi di San Marco a Firenze. Milano: Edizioni d'arte Amilcarre Pizzi, 1946.
Artists' wives. London: J.M. Dent and Co., 1902.
Picasso: blue and pink periods.. New York: Tudor Pub. Co., 1956.
Svenska kulturbilder. Vol. 1-6. Stockholm: Skoglund, 1935.
Svenska kulturbilder. Vol. 1-6. Stockholm: Skoglund, 1934.
The Bayeux tapestry: a comprehensive survey. London: Phaidon, 1957.
El Greco. New York: Phaidon, 1949.
The story of art. London: Phaidon Press, 1950.
Japanese colour-prints and their designers,. New York: The Japan Society, 1913.
Descriptive Catalogue of Japanese Colour-prints, the collection of Alexander G. Mosle. Leipzig: "Printed for Mr. Mosle", 1927.
L'œuvre peint de Goya. Vol. 1-4. Paris: F. de Nobele, 1928.
The Primitives....Japanese Prints. Chicago: Art Institute of Chicago (?), 1955.
The art revival in Austria. London: The Studio, 1906.
Japan and its art. London: The Fine Art Society, 1889.
A general view of the fine arts, critical and historical. New York: G.P. Putnam, 1851.
Creative art in Britain from the earliest times to the present.. London: Macmillan, 1950.
Point and line to plane. New York: The Solomon R. Guggenheim Foundation, 1947.
Orientation for modern times. Understanding modern art division. An interpretation of the historical, psychological, philosophical, and scientific backgrounds of modern art.. Chicago: The Delphian Society, 1936.
Italian Renaissance. New York: Helburn & Hagen.
L'Icone russe. Prague: Seminarium Kondakovianum, 1928.
The notebooks of Leonardo da Vinci. New York: George Braziller, 1939.
The notebooks of Leonardo da Vinci,. New York: Reynal & Hitchcock, 1939.
Geschichte der deutschen Kunst von den frühesten Zeiten bis zur Gegenwart. Stuttgart: Ebner & Seubert, 1890.
Outlines of the history of art.. New York: Dodd, Mead, 1879.
Grundriss der Kunstgeschichte. Stuttgart: Ebner & Seubert, 1887.
Byzantine painting, with an introd. and notes by Gervase Mathew.. New York: Pitman Pub. Co., 1950.
El Greco. New York: Harry N. Abrams, 1952.
Entwicklungsgeschichte der modernen Kunst. Vol. 1, 2. München: Piper, 1920.
Degas, rendered into English by J. Holroyd-Reece, with more than one hundred plates.. London: E. Benn, 1923.
Paradise lost, illustrated by William Blake.. Liverpool, Eng.: Lyceum Press, 1906.
"In the galleries." (1907).
Leonardo da Vinci.. Zürich, Leipzig: Fretz & Wasmuth Verlag, 1939.
The makers of Florence: Dante, Giotto, Savonarola and their city. London; New York: Macmillan, 1891.
Currier & ives–printmakers to the american people.. New York: Doubleday, 1942.
Japan in art and industry: with a glance at Japanese manners and customs. London: G.P. Putnam's Sons, 1893.
The industries of Japan: together with an account of its agriculture, forestry, arts, and commerce. From travels and researches undertaken at the cost of the Prussian government. New York: A.G. Armstrong, 1889.
Blake's illustrations to the Divine comedy.. Princeton: Princeton University Press, 1953.
Great works of art and what makes them great .... New York; London: G.P. Putnam's Sons, 1925.
India: paintings from Ajanta caves. New York: New York Graphic Society by arrangement with UNESCO, 1954.
Early Chinese paintings from A.W. Bahr collection. London: The Chiswick Press, Ltd., 1938.
Pieter Bruegel the elder (about 1525-1569). New York: Abrams, 1954.
Japanese illustration: a history of the arts of wood-cutting and colour printing in Japan. London: G. Bell and Sons, 1904.
Inspiration: An Essay by Louis Sullivan, Architect. Chicago, 1886.
Studies in Seven Arts. New York: E. P. Dutton & Co., 1907.
The tao of painting. New York, N.Y.: Pantheon Books, 1956.
Masterpieces selected from the Kōrin school: with biographical sketches of the artists of the school and some critical descriptions Vol. 1 Vol. 1. Tokyo: Shimbi Shoin, 1903.
Masolino a Castiglione Olona,. Milano: Ulrico Hoepli, 1946.
[Collection of famous pieces by Utamaro]. Japan, 1917.
Italian painting: the creators of the Renaissance. Geneva: A. Skira, 1950.
The gentle art of making enemies., 1890.
Hiroshige, An Exhibition of Colour Prints from the collection of Frank Lloyd Wright. Chicago: Art Insitute of Chicago, 1906.
The Japanese print: an interpretation. Chicago: Ralph Flectcher Seymour, 1912.
The Japanese Print, An Interpretation. Chicago: Ralph Fletcher Seymour Co., 1912.
The Japanese print: an interpretation. Chicago: Ralph Flectcher Seymour, 1912.
2000 years of Japanese art.. New York: H.N. Abrams, 1958.